Original title: Od zrna do slike
English title: From Grain to Painting
French title: Du grain au tableau
Italian title: Dal chicco al quadro
Spanish title: De grano a pintura
Russian title: От зерна до картины
Documentary, duration 75 minutes
Croatia and Serbia
Olimp production Croatia
HRT - Croatian Television
Original format: HD, 16:9, color
Screening format: DCP, HDCAM, Digital beta PAL
Original language: Croatian, Serbian and Italian
Audio: Stereo 2.0, Subtitles: English
Screenwriter and Director: Branko Istvancic
Director of photography: Branko Cahun
Editing: Branko Istvancic
Music composer: Pere Istvancic
A documentary about a neglected, marginalized minority in Serbia, forgotten by their country. The “straw girls” are anonymous Croatian artists of Bunjevci ethnicity who live in the north of the independent province of Vojvodina. They found straw to be the “green” medium of choice for creating paintings, sculptures and applied art objects as an antidote to their difficult life on the vast Pannonian plain. With commentary by artists Ana Milodanovic and Jozefa Skenderovic, art historian Bela Duranci, priest Andrija Kopilovic and writer Naco Zelic, the film encourages the revival of an endangered art form. Filmmaker Branko Istvancic is originally from Tavankut, the region where the film takes place. It pays special attention to the poetic atmosphere and images in the film. For Istvancic, art and life are inextricably linked.
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Documentary From Grain to Painting explores the culture and artistic expression of the Croatian national minority in Vojvodina region. The film focuses on straw-girls, folk artists from Backa, who found their medium of choice in ecological material of straw, using it to create paintings, sculptures and applied art objects. The film depicts the connection between their everyday lives and artistic expression, their specific social and national position.
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Main subject matter deals with minority issues, human rights, social justice and has international potential. The film protagonists are famous straw-girls Ana Milodanovic and Jozefa Skenderovic, art historian Bela Duranci, priest Andrija Kopilovic and writer Naco Zelic. Through a series of interviews and authentic footage, the film promotes a renaissance of this craft which slowly, but definitely vanishes.
One of the characters in Istvancic's film is Ivo Skrabalo, the recently deceased Croatian film critic, historian and director, who made a film on this subject in 1971, Slamarke divojke (Strawgirls), one of the best Croatian documentaries of all times.
Filmmaker Branko Istvancic, the director of live-action (The Ghost in the Swamp, 2006) and award-winning documentary films (The Cormorant Scarecrow, 1998), born in Subotica, where a large part of the film takes place, devoted a lot of attention to the poetic atmosphere and visuals.
A special accent was placed on the frame composition, its richness in content and meaning, authenticity of colours and visuality, as well as on the 'girls' paintings'. The message is clear: life and art are not separated; they comprise one unique life...
Photo by: Ivan Ivkovic Ivandekic
The Croatian minority in Serbia in the last years absolutely experienced the fact that culture depends on politics. From one side, from the aspect of the state, Croats in Vojvodina are good for obligations like paying Serbian taxes or for recruitment in the Serbian army, but not desirable when mentioning it as a new minority after ex Yugoslavia because of special rights. From the other hand, in the Croatian community, the culture strongly reflects the opposition of two sides: the Croatian political elite, and the Catholic Church. Luckily, the concept of culture includes also things like inspiration, creativity, imagination, which can also bring some valuable fruits.
The aim of this creative documentary film is attempt to make an eternal memory about female straw artisans Croats called "Bunjevci", that have now become a minority nation in Serbia (Vojvodina), whereby, this is not only a tribute to this special art skill but also our way to inspire people to renew this skill and thereby preserve this cultural heritage which is gradually but surely disappearing. Documentary film with its title: "From Grain to Painting" is the story about the straw knitters, straw artisans, which attract attention in their homeland as well as in the rest of the world by making pictures in straw technique. By using these simple, light, and fragile material-straws, these women aim to express their version of great big world around them, and also to embellish their hardworking life build-up from: fields, sun, dust, constantly bended beck's and sweat; the life of black soil that means everything to them. They are portraying their everyday life by always adding their personal poetic touch. They are working with the patience of the filigree, using fragile tawny material and producing unexpected feelings and effects. Female and male haymakers called would be haymaking the infinite, fertile, fields of golden wheat, thereby securing the future for the following period of time. While they were still on fields, they would start entwining grain coronal and other ornaments made of straw, which would than, be brought to the host in his home "salas" after the harvesting is done. Some girls would start making the straw crowns and rings while still on the field. In the gentle, but sometimes also rough hands of the bread-knitter, the wheat would become handmade ornament. With the ability to shape-up and entwine the thin yellow fibres, those hands would produce various extraordinary handicrafts such as: paintings made of straws, relief's, various landscapes, flowers, functional bowls (dishes), greeting cards and postcards. About the importance and value of this skill testifies the fact that one of the crowns (tiaras) made of straw, was given as a present to Pope Paul the VIth, and is exhibited in the museum in Vatican among other golden tiaras (crowns). Straw production path is not easy: before the harvest artists have to collect the nicest straw stalks, cut, wash, iron and paste them on the background. Every stalk has to be cut by half, watered and ironed. After the lot of work and treatment we get the straw collage, which gets cut into the pieces and than pasted on the background. Piece by piece as the imagination of the creator wants it, a new form sprinkles out - A painting made out of straw.
"The Swamp", by Ana Milodanovic, first painting with straw from 1962
Writing about Bunjevci slamarke (strawgirls), a famous Tavankut and Croatian historian Ante Sekulic wrote that slamarke (strawgirls) "... have the need to artistically express their experience of the world around them, to make their hard life of fields, sun, dust, constantly bent back, and sweet more beautiful, that life of the black soil that is so crucial for their existence. They paint everyday life, but they always manage to give their experience a poetic touch... The work with straw makes them exceptional. Working with filigree precision... with brittle golden material, they achieve completely surprising atmosphere and effects..." Just like for the Sokci in Slavonia, Baranja, Srijem in Croatia or Backa in Vojvodina, for the Croats minority - Bunjevci in Serbia and Vojvodina everything begins with hard, toilsome work and self-sacrifice and where there is a lot "sweat and tears" there is the beginning of creativity: a rich and diverse traditional culture, indestructible, the peculiar and recognizable croatian dialect called "ikavica", the customs, songs, dance, music, fine arts...
Duzijanca - a working family holiday celebrating the end of the wheat harvest - when the new bread is born, is a recognizable symbol of the Croatian Bunjevci customs. Every house and family of Bunjevci had its own duzijanca in the past, and with it a common gathering, socializing and fun. For weeks the reapers and the women gatherers - risari i risaruse, reaped the seas of yellow wheat - the vast grain bearing fields, ensuring teir future in the upcoming period. At the end of this toilsome work, the skilled women who make wreaths and various straw ornaments, would make wreaths out of wheat ears for the hat of the bandas (the leader of the reapers), and for all the other participants, they would make beads, rings and other jewelry...
Useful link: http://www.matijagubec.org.rs/
The film was funded with the support of City of Zagreb, Croatian Audiovisal Centre (HAVC), Regional office for education and culture in Vojvodina (Serbia), Adris Foundation in Croatia and INA donation